The Future Evolution of Marketing/Media Research – Revisited 2017

Original post April 19, 2011

What will happen next in the advertising industry’s important research wing? Where is it all going? What will be the face of advertising/media/BI (Business Intelligence) research/data science?

First, the drivers:

  • Decision makers want speed
  • They want answers to burning questions that specify the recommended decision with compelling rationale – so their job of taking that position and defending it will involve as little personal risk as possible;
  • They want all the variables and types of evidence reduced to utter simplicity – as in a well-designed graphic dashboard;
  • If they have a dashboard, they love to be able to play what-ifs with the recommended solution and see what happens to the graph, so that they truly do have a key role in the decision that gets made;
  • They need to be able to get their heads above all the weeds and up to where they can actually have a master vision – but the weeds are growing like hydra – the weeds being the excess of nearly-relevant information.

In other words, as compared to when I started in the business and we were looking desperately for any scrap of information, and beating the heck out of it in terms of a high bar for validation, today all too often there is much too much information. One can have an assistant compile it all so one can scan it but that’s about it. No way to actually absorb the ever-growing heap.

This new reality engenders a new way of functioning that is always high risk (as evidenced by CMOs being replaced every 23 months on average) and in which one has to operate like the Hollywood gunslingers – on gut intuition. Or as in the Hollywood story, where Columbia Pictures co-founder and head Harry Cohn could read the quality of a film based on watching butts twitch in seats.

So in other capitals across the country and around the world we have all joined that methodology, except we compile even more quantitative information as back up and proof of whatever it is our butts twitch to.

So the drivers have led so far to a relatively undesirable condition of rationalized guesswork. The researcher tries to work within this environment and tries to uplift it. Given relative rank in organizations, the researcher usually fails in this nowadays (if absolute success is the bar) except it is relatively better than if the researcher was not pushing that envelope.

The job going forward is to achieve absolute success by overturning the current rationalized guesswork mode and bringing in scientific decision making. What we already pretend to be doing.

Next, the needs:

  • Creative people need the kind of information conducive to generating Big Ideas;
  • Creative pre-tests need to be fast, highly predictive of actual cash register ROI, diagnostically rich and appropriate to being able to make quick fixes that will drive up ROI;
  • On-air cash register measurements of Creative, without use of black box attribution methods, used to reallocate so as to run the most sales-effective Creative executions most if not all of the time;
  • Programming content needs the exact same kinds of pre-testing, except instead of brand advertiser ROI, the success metric is audience size weighted by the marketable CPM – once again devolving to a financial ROI equation;
  • Media (including in-store, CRM, place-based, social, and everything else) need to be measured in terms of how well they reach types of purchasers (heavy, disloyal, etc.) and how well they influence purchase behavior (this is even more important than measuring their reach overlaps since each one has to be bought separately);
  • Crossmedia reach overlaps and synergies need to be measured and validated, their changes tracked, and these information types baked in with all the other information so as to give the decision maker a simple integrated dashboard where real (empirical) unmodeled validated information has ultimate weight. And the modeling (marketing mix and all other forms) needed to fuse together everything for the decision maker is as validated and transparent (not black box) as possible, with so as to give modelling almost no weight in terms of which media vehicles to buy – whereas crossmedia overlaps and dollar ROI synergies are the most important factors in making the big planning allocations to media types. This unavoidable leaning of our weight on the modeling crutch is a soft spot to be studied and overcome;
  • All data and data fusion methods need to be validated against actual cash register ROI;
  • Data (and proposed decision) delivery from research to the line must be in the form of utter simplicity via dashboard where exec can play what-ifs and see how ROI forecast changes.

Sounds pretty easy, doesn’t it? That was a joke of course.

Finally, the prognostications:

I hate to disappoint, but these really are more like prescriptions. The industry has taken some of my prescriptions in the past, but mixed with a heavy dose of countervailing competitive marketplace forces, which tends to change the outcome a bit away from the admittedly utopian picture I had painted of what could be done. So how can I accurately prognosticate what really will happen?

Here’s instead what I think should happen.

Creatives

Researchers need to do a much better job stoking the fires of the big minds to produce Big Ideas. The advertising business is about producing Big Ideas for money. The rest is just implementation.

By the Creatives I don’t just mean writers and art directors. Everyone is a Creative, to the extent that they are allowed to come up with and share Big Ideas. In some organizations, people are disempowered by not having their Big Ideas taken seriously – but these organizations are becoming more and more rare. Thank God.

Research presentation to Creatives – the people who need to make big planning decisions – has been, well, wanting – that’s probably the kindest word I can use.

People who make planning level decisions need all the information they can get about the people at the other end of the communications process whom we are trying to influence. Right now they do get quite a bit. It does generate more insight than probably at any time in the past, including the phase of Motivational research. But it’s not yet enough, and it’s not absorbable and stimulating enough to the writers and art directors.

Instead of dashboards for the writers and artists, something like a ripomatic is used nowadays – both in selling new business and in pumping the Creative people. A ripomatic (or feelomatic, etc.) is a succession of clips – mostly video, a few still, with music – that tell the Creative about the target audience. One thing that could be added is the ability to drill down on one image or idea and get more information in the same emotive form on that facet of the picture – as in some of the early branching video CD-ROMs that IBM, BBC, British Telecom and others produced to show where video could go someday. There might be a dial where the Creative can slow down or speed up the images. And touchscreen or voice command to indicate what to drill down on.

Neuroscience should be able to show a picture of the target audience that is even more conducive to Big Ideas. Findings from neuroscience could be presented in the same video format to inspire the Creative – all findings can be pumped in through the Creative form of the same dashboard idea. Just to have a name I call it the Clashboard – the dashboard for Creative, which is branching video rather than Flash pages that remain static until one plays what-ifs.

The underlying historical reason for both the dashboard and the Clashboard is information overload. People in the advertising industry are no exception – we get even more information than the average person, and the average person is deluged. My book Freeing Creative Effectiveness is all about breaking out of EOP (Emergency Oversimplfication Procedure), the condition that sets in when there is too much information – desperate shortcutting such as rationalized guesswork.

By focusing the eyes on a dashboard or Clashboard that is comprehensive and yet utterly simple, the mind can also begin to focus. All the information is in one place. No distraction thinking of where can I get this piece of missing information – it is all there.

My best to all,

Bill

Follow my regular media blog contribution, In Terms of ROI at Media Village, Myers new site. Here is the link to my latest post.

Three Books with the Same Name

In April, 2014 my book You Are The Universe: Imagine That was published, but I held back from marketing it, awaiting a feeling of the right time. The Universe obviously saw no reason to wait to have Its coming-out party, thus stimulating the re-recognition among its many self-parts of Its One-Selfness.You Are the Universe by Bill Harvey

So this year the dean of positive nonfiction writers Deepak Chopra and leading light in physics Menas Kafatos published their version: You Are the Universe: Discovering Your Cosmic Self and Why it Matters.

I discovered that Masami Saionji also published You Are the Universe in print in 2004 and as an ebook in 2014. (For that matter, my You Are The Universe came out to friends as The Theory of the Conscious Universe in 1976.)

These are three great books about exactly the same point. The same point that is made by all the original source books (e.g. the Vedas, Torah, I Ching, et al) from which modern religious texts have drawn. Underlying the material appearances is one consciousness at play. When a being becomes established in this perspective he or she enjoys life to the fullest, and is a fount of constructive encouragement to others. Helping as many people as possible to get into this headspace is what motivates writers such as ourselves to write and disseminate books like these.

It’s of course personally fascinating to me, to compare what my esteemed colleagues (what an honor to feel like in some way I’m in this group!) and I did differently in approaching delivery of the same message.

My friend the genius Chuck Young, inspired by Daniel Kahneman’s book Thinking: Fast and Slow, analyzes and measures advertising based on its ability to get into three different long-term memory systems: thinking, feeling, and procedural. Thinking and feeling are processed in the cortex while procedural is processed in the cerebellum. The body can go through its motions by second nature even without a cortex.

Chuck might see my version of You Are The Universe (especially with its companion volume Mind Magic) as more procedural than the other two. Both of my nonfiction books are aimed at getting people to try things themselves and observe what happens, in their actual lives.

In a workshop with top officers of the U.S. military, I guided a meditation aimed at erasing all assumptions and using the senses to focus on what the individual was actually experiencing, for many minutes of silence. Trying to come at that experience as if for the first time, with no prejudgments, and observing without interpretation or naming. This is the shift one must make from the subconsciously-assumed materialism that is baked into us, in order to begin to realize that all we know exists for certain is our own consciousness. Making that shift based only on spiritual advice, or scientific theory/experimental findings, is very difficult. That’s why my version of YATU has mind experiments (and the companion volume is all mind experiments).

Another thing is different about my version. It explains in the lens of science exactly how conscious experience relates to the world of matter, in a way that anyone can understand and picture without the need for understanding advanced mathematics.

I recommend reading all three books, each comes at it from a different pov, and that itself is interesting. Also these three books with the same name are talking about the most important thing in life: What does it all mean?

When mainstream science gets the point of what we are saying in these books, it will be a bigger scientific renaissance than the world has seen.

Best to all,

Bill

Follow my regular media blog contribution, In Terms of ROI at Media Village, Myers new site. Here is the link to my latest post.

How to Stop Worrying

Originally posted July 28, 2015latest Great Being post

Many of us spend too much time worrying, which means we’re spending too much time thinking about a problem non-constructively. Worrying actually gets in the way of finding solutions and then dealing with the problem.

When we notice we’re worrying, we should of course stop worrying and deal with the problem constructively. This may seem so utterly simple and obvious, so why don’t we all just do this when we find ourselves worrying?

Know the right steps to take

The mind seems to flinch away from situations it unconsciously feels incapable of solving. The nature of worry is helplessness. When we are worrying we are assuming helplessness, which greatly increases our real helplessness by sending those signals to everyone around us. Are we unintentionally begging for outside assistance?

The mind is well aware of our problem, maybe painfully so, but in this state of excessive worry it assumes there is no way out of the situation. We worry about our problem as if that would make it go away. Or perhaps in the vague hope that if we worry long enough maybe something will eventually just come to us? Continue reading

A Most Unusual Sea Journey

Current Classic Bill postVolume 6, Issue 7

Part 78 of the ongoing saga of The Great Being, the One Self that manifests as each of us.
Previous episodes.

It was a short walk from the tavern to the seaside. Athenius and Sniike walked astride a few paces behind Melchizedek and Layla, who had kicked off their shoes and were reveling in digging their bare feet in the sand, holding hands and singing something the Greek and the Parsan could not make out.

They walked past some crude rowboats with cruder sail-rigs and stopped at a strange and unimpressive little vessel, smaller than anything else they had seen. Looking down into it, it looked as if there was something dark to sit on, but there were no oars or places to affix them, and certainly no sail.

“This is your boat?” Sniike remarked, now suspecting that the whole setup was a fraud.

“Yes, isn’t she a beauty?” Melchizedek asked proudly. “Layla picked the carpeting.” Layla looked humbly gratified. “It’s Parsan carpeting,” she said to Sniike, hoping he would take it is a compliment to his people. Sniike did a double-take as his eyes adjusted and he was able to make out the complex scrollwork. “I’ve never seen a Parsan carpet in a boat before,” Sniike confessed, “nor any other kind of carpet.”

“That’s the deep blue your carpetmakers call Perse,” Athenius, the man of the world, informed Sniike. Named in honor of Perse, Maitreya pathed into the minds of Melchizedek and Layla.

the ovoid boat

The ovoid boat with a deep blue scrollwork carpet and ringed with gold.

Continue reading